Volume #18: After Zero
Originally a wacko, hippy-esque ideology, ‘sustainability’ – aka ‘eco-friendly’ or ‘green’ – has now become globally accepted. But as what – an environmental urgency, a political issue, a technical problem, a historic destiny, a new world order? And what are the consequences of this acceptance?
The sustainability consensus is dangerous since the concept has no political content and can be used for any cause. Carbon neutrality and zero emissions are like magic formulas, cover-ups for complicated ethical questions about the inequalities in our societies.Yet striving for zeros or hiding in neutrality does not lead to a better life in a more desirable house in a superior city for everyone. After Zero is not about design inspired by the fear of tsunamis or Katrinas. Volume proposes an understanding of our society beyond zero. To kick off we discuss two perspectives: sustainability in a post-capitalist city and the potential of urban agriculture.
Volume#18: After Zero
ISBN 978 90 77966 18 1
Price: € 19,50
Release: December 2008
Editor-in-chief: Arjen Oosterman
Contributing editors: Ole Bouman, Rem Koolhaas, Mark Wigley
Feature editor: Jeffrey Inaba
Editorial Consultants: Carlos Betancourth, Thomas Daniell, Bart Goldhoorn, Markus Miessen, Kai Vöckler
Design: Irma Boom and Sonja Haller
Publisher: Stichting Archis
Volume #18 includes contributions by
Jago van Bergen, Stefano Boeri, Clare Butcher, Katrin Bohn and Andre Viljoen, Steef Buijs, Christophe Catsaros, Thomas Daniell, John E. Fernández, Aetzel Griffioen, Andrew Herscher, Scott Hocking, Joost Janmaat, Sherry Lassiter, Aric Mayer, Christien Meindertsma, Koert van Mensvoort, Monica Nouwens, Michela Pasquali, Marjetica Potrc, Panayiota I. Pyla, Gianluigi Ricuperati, Mireille Roddier, Harriet Russell, Debra Solomon, Tokyo Genso, Michael Stanton, Peter Trummer, Piet Vollaard, Ronald Wall, Slavoj Žižek
The Netherlands has two new prizes, the Geert Bekaert Prize for Architecture Criticism and the Simon Mari Pruys Prize for Design Criticism. They’re promoting ‘a vibrant design culture’ by stimulating writing and reflection and awarding the prize to one critique, not to a critic. Initiated by Archined and Design Platform Rotterdam they were awarded for the first time in Amsterdam on March 20th 2014. For architecture the award went to Plain Weirdness: The Architecture of Neutelings Riedijk, a text in El Croquis by the former Director of the Netherlands Architecture Institute, now Director of the Cincinnati Art Museum, Aaron Betsky. The Simon Mari Pruys Prize went to Sander Manse for his essay on the use of models in designing design.
What is essential about the work of Neutelings Riedijk is its plain weirdness. The two aspects of this definition are essential. The use of form and materials that are familiar, simple, and sometimes even primitive grounds the strangeness, the baroque involutions, and the haunting quality that gives the work its power. These architects know how to mine the vernacular to find within it the material that both grounds us and connects us to something bigger, stranger, and older than we are. Their buildings use this basis to teeter between abstraction and reference, creating a blur that allows us to intuit forms, images and spaces that the designers only imply. Finally, Neutelings Riedijk’s buildings become stages on which we can act out the roles to which we would like to become accustomed, sometimes as masques in which both the structures and we are actors, and sometimes directly, when the buildings’ interiors become, more often than not, stages.
As you may know our exhibition The Good Cause is currently on show at Stroom in The Hague. This spring Stroom will be hosting a side program accompanying The Good Cause, that consists of a number of tours, a congress, an Archis RSVP Event and a number of expeditions. Most of the events are free of charge.
Last month we officially launched Volume’s 39th issue, ‘Urban Border’. In the past weeks we have published a selection of articles, and for those who are interested how the issue looks and feels we have uploaded a preview. Enjoy! Click here to learn more about Volume #39.
Shenzhen is currently upgrading its industry; this results in empty factory buildings and huge demographic changes within the migrant population. It also implies a transition from a blue-collar to a white-collar society. Shenzhen’s economic success is based on cheap labor. Nonetheless, blue-collar migrants are considered to be both problematic and vulnerable. But do we really understand and appreciate the economic and social value of the current generation of migrants in Shenzhen? ‘Da Lang Fever’ is a story about the potential of a self-organizing migrant society in the neighborhood Da Lang. It showcases the empowering nature of bottom-up activities for migrant workers.