Volume #14: Unsolicited Architecture
In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different role and responsibility for architects. The central part presents the portfolio of the Office for Unsolicited Architecture founded by Ole Bouman and students of MIT. The third part marks the unsolicited world according to young architects and artists from around the globe.
Volume#14: Unsolicited Architecture
ISBN 978 90 77966 14 3
Price: € 19,50
Release: December 2007
Editor-in-chief: Arjen Oosterman
Contributing editors: Ole Bouman, Rem Koolhaas, Mark Wigley
Feature editor: Jeffrey Inaba
Editorial Consultants: Carlos Betancourth, Thomas Daniell, Markus Miessen, Kai Vöckler
Design: Irma Boom and Sonja Haller
Publisher: Stichting Archis
Volume #14 includes contributions by Ole Bouman, Matthijs Bouw, Elizabeth Demaray, F.A.S.T., Bryan Finoki, Alicia Framis, Andrea Giacomelli, Harmen de Hoop, Katrin Korfmann, L.E.FT., Ersela Kripa, Katherina Matoukis, Hugo Priemus, Wang Qingsong, Rebar, Sašo Sedlacek, Michael Shamiyeh, Dik Smits, Studio Beirut includes Steve Eid, Pascale Hares, Bernard Mallat, Nabil Menhem, Joe Mounzer Rani Rajji and Michael Stanton, Kirsten Algera, Felix Janssens, Daniël van der Velden, Kai Vöckler, Hans Wilschut, ZUS
Office for Unsolicited Architecture is conceived by the MIT Unsolicited Architecture Studio under the direction of Ole Bouman. Thanks to Yung Ho Chang, Alexander d’Hooghe, Ute Meta Bauer, Eric Howeler, Christine Boyer, Adèle Santos.Student editors of the portfolio are Andrea Brennen, John Snavely and Ryan Murphy. Student researchers from MIT are also Michelle Petersen, Gabriel Chan, Damian Chan, Shirley Shen, Dan Smithwick, Lena Vassilev, Dickson Wong, Andrey Dimitrov, and Edmund Ming-Yip Kwong. HKU (Utrecht, The Netherlands) student researchers areTim van de Weerd, Sarah Yu and Nataly Engel.
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Every two years, all architecture schools in the world are invited to submit their best graduation project (one) to the Archiprix International exhibition and competition. Since its inception in 2001 (growing out of the Dutch Archiprix), an ever increasing number of schools participate. This year Archiprix International selected Ahmedabad, India, to present results. Volume spoke to Archiprix director and ‘mister Archiprix’ Henk van der Veen in person, the day after the exhibition opening and the Award ceremony.
The fourth edition of the Lisbon Architecture Triennale took place from 5 October to 12 December 2016. Chief curators Diogo Seixas Lopes and André Tavares created a program that included four exhibitions, a symposium, a series of talks and various publications under the umbrella title The Form of Form. Lilet Breddels visited the exhibitions and symposium, which clearly investigated a take on the profession of architecture as a specific type of knowledge. With the theme of Volume #50: Beyond Beyond still fresh in her mind, she asked the curators about their take on this notion of Beyond.
With Are We Human – the exhibition of the 2016 Istanbul Design Biennial – curators Beatriz Colomina and Mark Wigley are researching the very notion of ‘design’. Their historic, cultural and conceptual exploration attempts to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This is pushing the notion of design and the biennale as a format beyond their established definitions. Beatriz Colomina and Mark Wigley interviewed by Arjen Oosterman.
As introduction to the Total Space insert in Volume 50, Dirk van den Heuvel links (Dutch) Structuralism to current day developments, more specifically in the digital realm. Total Space is an ongoing research project of the Jaap Bakema Study Centre*, that’ll produce program and public presentation at Het Nieuwe Instituut in the coming years.
In a certain sense, looking at the beyond is something that we cannot do today, other than from the vantage point of a beyond the ‘beyond’. Looking at the connections between progressive political movements and planning/building practices in modernity and their ways of departing into ever new ‘beyonds’, beyond the boundaries of historically given urban and social formations – today, we are certainly beyond these dynamics.