Nature has always been complete, and yet it is never finished. Technology can expand nature infinitely, but should learn to play by some of the same rules. At the Transnatural symposium acknowledged designers, scientists, artists and architects explore the philosophical, cultural and practical implications of the fusion between technology and nature.

Morning lectures

• Dr. Rachel Armstrong. Her research is aimed at developing metabolic materials to be applied in the built environment. Armstrong foresees a living architecture, capable of ‘healing’ the environment.
• Tobie Kerridge (Material Beliefs); Material Beliefs is a project of designers and scientists that research the implications of upcoming biomedical and cybernetic technologies. Together with non-specialists they make prototypes of new products and exhibition that bring scientific research from the labs into public space and debate.
• Elio Caccavale (Bioethics Futures); Drawing on Utility Pets, MyBio and Future Families, Caccavale presents his design practice. Caccavale makes speculative objects in which abstract issues and ethical questions that surround biotechnology are made tangible.
• Koert van Mensvoort (NextNature); Koert reports on the latest insights from the NextNature research - a highly inspiring Dutch initiative that explores and describes how our understanding of nature is changing. NextNature is the nature made by humans, that is more than ever wild and unpredictable.
• Jan Jongert (2012Architecten in SuperUse); The work of 2012Architects is a strong example of Superuse - a design approach in which clever aesthetics meet the pragmatics of recycling. Instead of designing new cradle-to-cradle products, 2012Architects develop grave-to-cradle methods, that do away with ‘waste’ as an economical and cultural category.

Afternoon masterclasses

• Protocells, living buildings and synthetic ecology; Architect, physicist and sciencefiction author Dr. Rachel Armstrong leads the participants along the conceptual and chemical steps of making an in-organic Traube Cell. Starting from current technologies, the participants develop scenario’s to implement metabolic materials in the built environment. How can archictecture literally come to live?
• Material Beliefs; Design researcher Tobie Kerridge and product designer Elio Caccavale together with the participants develop products and services to experience the social, cultural and ethical implications of upcoming nano-, bio- and info technologies. What is your most dangerous idea?
• Superusable materials; Architect Jan Jongert leads a design masterclass about superusable materials, that can live through two or more product cycles. The participants research material requirements, but also look into the necessary design attitudes, and they think about alternative product and waste cycles that can support Superusability.

From an upper shelve of a book cabinet, Chris Fruneaux speeched about the deep friendships that underlie the making of the book. In a talk with the Royal Netherlands Embassy’s Cultural Attache, Joost Janmaat revealed some of the inner workings of the beast we refer to as Studio Beirut. In a far corner, Rani al Rajji could be found recruiting stunningly beautiful girls into the ranks of the Bounyaks. Joe Mounzer got into a signing frenzy of his own; brazenly scribbling away at every blank spot of paper that got near. And all along, Steve Eid and Pascale Hares were standing on the pavement outside Papercup, between them the intimidatingly pretty latest addition to the squad: baby Noa.

Hardcore locals, engaged tourists and nostalgic diaspora: this guide was made by a broad array of committed amateurs that project themselves onto the city. For years, they have looked to this particular city to accommodate their dreams, ambitions, curiosities and insecurities.

The result was a book about Beirut disguised as a guide. For a guide, it is a pretty lousy one. it does not have much listings of great bars and fancy restaurants. it does not give you splattering colourful accounts of the luxurious places to sleep, nor the latest haunts to dance the night away. It does, however, give you personal, subjective, intimate, and contested accounts ways to look at, experience, understand or even judge the city. Thus, you can navigate the city with Joe’s assassination tour, dig into Ashrafieh with Tony Chakar’s statements on Catastrophic Space, step into the head of artist Jan Rothuizen, who drew the annotated maps or written drawings that illustrate the cover.

Beyroutes is a guide about Beirut that could be of use in any city. They say all people are unique; the cities they live in are surprisingly similar. In every city, for example, the cheap and trashy hostels can be found just around the corner from the train or bus terminal. In every city, next to the official monuments of the state you will find the accidental monuments of the people. Thus, rather than propose a re-enactment or simulation of a particular city, in Beyroutes we propose four lenses, or looking glasses to look at the city (or any city). We give you the first impression city, the official city, the accidental city, and the emotional city. In Beyroutes, these ways of looking have lead to Zinab Chahine’s survival guide to Dahiyeh, and the ultimate pieces on the infrastructure of intimacy by Maureen abu Ghanem (on the etiquette of commercial sex) and Joane Chaker (on teenage love).

—Written by Joost Janmaat
—More: partizanpublik.nl

“You can’t always get nice plywood and wire mesh and acrylic and Shop Bot time when you want to make a link. Maybe it’s the middle of the night and the lab is closed. Maybe you spent all your money on a router and all you have left for a reflector is the junk in your back yard. That, dear world, is when you improvise.”

MIT is also shipping routers to Jalalabad to enable the city to further improve its network.

The Fab Fi project is very interesting, especially since it proves the relevance to rethink foreign aid in terms of injecting knowledge and expertise to accelerate local progress instead of an injection of externally-managed aid money.

“An 18-month World Bank funded infrastructure project to bring internet connectivity to Afghanistan began more than seven years ago and only made its first international link this June. That project, despite hundreds of millions of dollars in funding, is still far from being complete while FabLabbers are building useful infrastructure for pennies on the dollar out of their garbage.”

“‘Mine the Gap’ is a single-stage international design ideas competition dedicated to examining one of the most visible scars left after the collapse of the real estate market in Chicago: the massive hole along the Lake Michigan shore that was to have been—and may yet be—the foundation for a singular 150-story condominium tower designed by an internationally-renowned Spanish architect, a tower which was to have become a new icon for the city and region. What to do with the gap? Whether or not the project is resuscitated, what else can we do with this strategic and highly-charged site? Once the motor of real-estate speculation has stalled, what can we use to propel ourselves, and the discipline, forward?”

More information about entry fee, jury, deadlines and registration can be found at the Chicago Architectural Club’s webpage. Competitors may submit material online anytime between March 22, 2010 and May 3, 2010. Registration is open, and may be completed anytime before the deadline. The first prize is $ 3,500, the second is prize $ 1,500 and the third prize is $ 750. Up to 3 Honorable Mentions will be awarded.

Last week’s item on Foodprint NYC made me think of an article I stumbled upon some time ago. It deals with the topic of so-called agro-imperialism. Issues such as rising global food prices, growing populations and scarcity of water make financially wealthy but recource-poor nations in the Middle East and Asia feel uncomfortable about their food security. In order to attempt to ensure food security, a number of these countries decided to “outsource their food production to places where fields are cheap and abundant” by buying large pieces of arable land in Africa, mostly in regions that are “least touched by development”.

“Foreign investors (some governments, some private interests) are promising to construct infrastructure, bring new technologies, create jobs and boost the productivity of underused land so that it not only feeds overseas markets but also more Africans. It remains to be seen, however, whether local farmers and African citizens will reap any of the benefit of this agro-imperialism.”

Africa still contains a substantial amount of underused land. In many cases the land-buy process involves states such as China, India and the UAE, and is carried out completely off the radar. Looking at this impressive ‘IFPRI Landgrabbing’ map, one can conclude that some Western European countries are following in their wake, including Germany and the United Kingdom.

In his article in the New York Times, which the InfraNet Lab post refers to, Andrew Rice explains that Ethopia is one of the breeding places of resource imperialism. In its desire to attract foreign investors, the local government speaks of ‘virgin land’. At the same time of this influx of capital into African agriculture, in a period where a global food crisis becomes more and more manifest, four million of Ethopia’s inhabitants still depend on emergency food aid.

24 Architecture designers take the lead, assessing what society needs now. Pursuing strategies the market is hesitant to explore. The designs that are presented are the fruits of an ambition to find sustainable designs for the future.

The international travelling exhibition ‘Architecture of Consequence’ highlights a changing selection of the same urban designers included in the accompanying book. After Sao Paulo and Moscow, the exhibition will travel to the NAi in Rotterdam in February. The designs that are presented are the fruits of an ambition to find sustainable designs for the future. The theme is expanded by exhibiting the selected designs in different scales.

With contributions by 2by4-architects, De Zwarte Hond, Doepel Strijkers Architecten, MVRDV, Studio Marco Vermeulen, West 8, CONCEPT0031, Anne Holtrop, Next Architects, seARCH, 2012 Architecten, Atelier Kempe Thill, Biq Stadsontwerp, MUST Urbanism, OMA/AMO, ONIX, Powerhouse Company, Rietveld Landscape, Stealth.ultd, Van Bergen Kolpa Architecten, Venhoeven CS, ZUS.

Foodprint NYC is the first in a series of international conversations about food and the city. From a cluster analysis of bodega inventories to the cultural impact of the ice-box, and from food deserts to peak phosphorus, panelists will examine the hidden corsetry that gives shape to urban foodscapes, and collaboratively speculate on how to feed New York in the future.

The free afternoon program will include designers, policy-makers, flavor scientists, culinary historians, food retailers, and others, for a wide-ranging discussion of New York’s food systems, past and present, as well as opportunities to transform our edible landscape through technology, architecture, legislation, and education.

Program Schedule:

• Zoning Diet: Sean Basinski, Joel Berg, Nevin Cohen, Stanley Fleishman
• Culinary Cartography: Jonathan Bogarín, Makalé Faber Cullen, David Haskell, Naa Oyo A. Kwate
• Edible Archaeology: Rebecca Federman, William Grimes, Annie Hauck-Lawson, David Sax
• Feast, Famine, and Other Scenarios: Amale Andraos, Marcelo Coelho, Natalie Jeremijenko, Beverly Tepper

In May 2009 the centre for architecture and arts in The Hague (Netherlands) started a manifestation about the same subject, which also called Foodprint. Check here the Dutch Foodprint program organized by Stroom.

As the video explains we are not able to experience the whole effect as we are watching it on a 2D monitor. Nevertheless, this looks already amazing. All different perspectives can be shown — from street level to a bird’s eye perspective. The models are available in different sizes and are full color. Next to architecture, this application finds a use in showing 3D maps for military operations.

“The city lets us know what they are up to by creating billboards that announce their projects. The Studio for Unsolicited Architecture and DUS Architects have pasted over five of these signs in Rotterdam with their own suggestions of how to make these projects more sustainable, more social and more exciting.”