Last month we launched Volume’s 36th issue, ‘Ways To Be Critical’. We published a selection of articles from the issue here on the blog so you can get a little glimpse of what’s inside.
‘Ivory towers’ and ‘paper architecture’ are common put-downs used to question the agency of critical and speculative thought. After the theoretical hangover of a Deleuze et al architectural education, many young critical thinkers turned to practice as a means to put their thoughts into action. We sat down with Markus Miessen, who has spent the past several years researching critical and spatial practice, to see what this means for the field of criticism.
The internet gets blamed for a lot of things, our current crisis of criticism being just one of its victims. The explosion of free content, the rise of unpaid bloggers, a diffuse democracy of likes and retweets, has surely weakened the authority of traditional critics. But in this new landscape Mimi Zeiger sees a host of new possibilities for architectural debate. Explaining her notion of ‘collective criticism’, she shows how platforms like Twitter can help build momentum on critical issues that often fall through the cracks of the pressroom floor.
Italy has long been a powerhouse of architectural criticism and publications, with an intimate relationship to production. Never criticism for its own sake, the architectural publishing complex of Italy has a tradition of stance-taking, actively shaping the direction of the profession. But the glory days of Casabella and other noteworthy publications has faded, leaving a void to be filled. Luca Molinari paints a portrait of the country’s new critical landscape.
Last week we released Volume’s 36th issue, ‘Ways To Be Critical’, and we’re proud of it! Be sure to get your hands on a copy — order the issue online (hit ‘Order back issue’), or click here to find a list of bookstores around the globe that sell Volume. For all those people who can’t wait to check it out, we’ve compiled a preview of Volume #36.
Volume likes to think of itself as a critical magazine. Not in that it reviews and criticizes production, but in that it has a critical relation with architecture as practice and as notion. No problem up to now. Different worlds, different attitudes, the twain shall never meet, and they lived apart happily ever after…
The critic is dead. Long live the network! So it goes in our world of diffuse and shared knowledge. But if criticism has evolved into criticisms, how can we interpret and learn from the babble of opinions? This dilemma comes in tandem with another: the crisis of publishing. With declining print sales and slashed subsidies, many critics are out of work. Two fundamental tasks lie ahead: reviving the productive value of criticism, and finding new profitable ways to broadcast it to the world.
On Thursday July 11, the Vitra Design Museum organizes a public event where Archizines curator Elias Redstone and Archis director and Volume publisher Lilet Breddels will discuss the new culture of young and experimental architectural magazines.
Volume’s 36th issue will shed a light on architecture criticism. While the architecture discipline is changing slightly, also the way the discipline should be criticized changes…