The Radical Architecture of Little Magazines 196X–197X
Maastricht

The opening of the successful traveling exhibition Clip, Stamp, Fold in Maastricht marks a renewed interest in various forms of engagement in the field of architecture and urbanism. The exhibition, based on research by Beatriz Colomina and her Princeton students on so-called ‘little magazines’ in the 1960s and 70s, was initially staged at Storefront in New York, November 2006. (A part of this research was published in Volume 10). It has since traveled to several cities in the US and Europe, including the lesser-known architectural hubs of Oslo, Vancouver and Murcia. What is interesting about the exhibition is not only its content, but also that it is a growing archive; with every new installation, a local or regional addition is added to the core of the exhibition. In Maastricht, the extension (called ‘Staple’ so the full title becomes Clip/Stamp/Fold/Staple) is a series of Dutch magazines that fit the profile that were published from the 80s up to the present. Volume is represented in this section that was researched by Marina van Bergen.

Image Dirk van den Heuvel

With lectures by Colomina on the exhibition and by Mark Wigley on Constant’s New Babylon project (and its appearance in little and not so little magazines), and with the presentation of the latest issue of Oase dedicated to architectural criticism, the program was loaded. And somehow, the round table discussion on the current role and possibilities of little magazines had to be fitted in as well, which besides Colomina and Wigley, also featured Axel Sowa (former editor of l’Architecture ‘d Aujourd’Hui), Véronique Patteeuw and Tom Vandeputte (from periodical Oase), Herman Verkerk (of defunct Forum magazine) and myself. The roll call of speakers prohibited an in-depth debate; while some relevant issues were touched upon (among them finance, independence and their interrelation), I’ll mention a few here that were not discussed.

1. A provisional typology. There are several motors that can propel a magazine: a) economy/trade; b) (serious) criticism; c) discontent/reaction/opposition; d) vision/pursuit. Little magazines are usually in category c) or d), but as the exhibition also indicates, trade magazines can have a period of ‘self inflicted’, chosen ‘littleness’. This is often related to a particular movement or style and usually comes with a new editorial team ‘that takes over’. There is also a position that is not ideologically informed or starts from ‘truth’, but is based on a pragmatic engagement with the present, based on analysis of the current conditions and what is needed to move forward. To name just two options, this explorative attitude can take the form of a project, like Volume, crossing conventional boundaries between academia, office and journalistic platform, or it can be taken as a format or formula: hand the magazine as instrument to a different crew every three years in order to empower different voices one after another.

2. On the battle field of thought, little magazines have been very influential; however, these days the internet seems to be the easy accessible, low cost medium to use, alternative to this laborious, hard-to-distribute form of communication. It hasn’t happened yet in the field of architecture, or at best it is just starting. Yes, individual bloggers can be influential, like certain journalists and critics in newspapers, but a dedicated publication on the web, that persistently explores certain themes and advocates a particular approach… I haven’t seen it yet, although BLDNGBLG, Action!, wemakemoneynotart, or Mammoth may prove me wrong. The collector’s item aspect, the insider’s tip, the ‘when will it arrive’ feeling, the carefully composed and designed quality; maybe it doesn’t exist in virtual space, where open access is the essence. There are these hidden corners for sharing among kindred spirits, but even there the time element (instant availability, instant reaction expected) is making a difference. On the other hand, what could a ‘little magazine’ on the web be? The financial hurdle is so much lower that the criterion of independence is almost meaningless.

3. Criticism is usually seen as a method to distinguish between good and not so good. To broaden the definition, it is one of the means to test cultural values and criteria of quality. In combination with the notion of ‘resistance’, it becomes a mechanism inside the system to ensure a degree of dynamism, and to integrate new ideas and developments into the dominant culture.

Criticism can also be understood as an element in research and knowledge production. This kind of criticism starts with the will to know and to understand. The connection between worlds of criticism and their relation with the phenomenon of the little magazine, it is the subject of Clip/Stamp/Fold/Staple. The exhibition doesn’t take sides: it is more an invitation to define or establish one’s own position as a visitor. As far as Volume is concerned, the choice between reflection, mediation and intervention was made from the outset: tweaking the system. If elevating various voices is a fifth typology (see point 1), then tweaking can be called the sixth typology.

Click here to read/download Arjen Oosterman’s essay ‘Becoming small and being great’ on Issuu.

NAiM/Bureau Europa: Clip/Stamp/Fold until 26 September 2010.
bureau-europa.nl

A report from the African Perspectives conference in Pretoria, South Africa

Each year, the Netherlands Architecture Institute, organizes worldwide approximately eight Debates on Tour. Together with a local counterpart, Dutch architects fly to a specific city to discuss specific themes, problems and challenges with their local counterpart. On 28th of September the NAi teamed up with ArchiAfrica to host a debate in Pretoria, South Africa during the African Perspectives conference. Arjen Oosterman joined in to write the following report.

Opening by moderator Antoni Folkers.

A confrontation of experiences from different parts of the world, centered on roughly the same theme or problematics, is rewarding by default. The Debates on Tour-program of the NAi, is based on this format. These debates have more than one edge: it acts as an antenna to ‘receive’ new developments, ideas and positions; it connects Dutch and international networks; it presents the NAi in different contexts throughout the world; and it proposes new agendas for architecture in non-hierarchical order.

This first ever NAi Debate on Tour on African soil took place in Pretoria on the occasion of the African Perspectives conference, that took place from September 25-28, also a program of Dutch making. African Perspectives started at the beginning of this century to bridge the information and knowledge gap between Europe and Africa. Utrecht based initiator ArchiAfrika developed what started as ‘bringing Africa to Europe’ and the Flemish and Dutch universities of architecture in particular, into a full fledged educational and scientific program, including a scientific committee and paper sessions, but also student workshops and presentations.

The starting point of ArchiAfrika is that Europe knows nothing about its material involvement in Africa and that Africa has to deal consciously with the imported tradition of modernism. It is vital to know and understand the heritage/history and to relate this to local, cultural specific traditions, before deciding to accept or reject the modernist approach. The initial annoyance that the rest of the world is hardly interested in what has happened in Africa and what is going on (on the level of architecture, urbanism and planning) has gradually transformed into an ambition to see what is African about the African city and in what ways this can be used for development. That adds to the import/export project an element of self-reflection for the African architectural community (all those professionals active in fields related to architecture and city) and an interesting research perspective for scholars around the globe.

From left to right: Martin Kruger, Paul Meurs, Godfrey Anjumba and Hein de Haan.

City Center = Mixed Use

Explicitly announced as a pilot, this debate on tour gathered architect Heinrich Wolff, architect and urban designer Martin Kruger and urban planner Godfrey Anjumba on the African side, Paul Meurs (architect and advisor on urban heritage) and Hein de Haan (architect activist and tutor urban planning) on the European/Dutch side. As often this division was relative since Anjumba studied in The Netherlands too. ArchiAfrika-host Antoni Folkers acted as moderator.

With public space in the city center – and Pretoria’s center in particular, suffering from an institutional drain and diminishing vitality and importance – as topic, discussion started right away. The very notion ‘city center’ was probably too European, related to a particular urban history and typology, and better indicated as ‘activity center’ (the day before, during the conference ‘CBD’ as indication of the historic center of Pretoria had been discarded as too American and replaced by ‘City Center’).

As a start, it related directly to the first question: what is public space in Africa? Instead of the standard reflex ‘square’, the notion ‘market’ was proposed by Martin Kruger. Godfrey Anjumba added ‘place for ceremony, drama and feast’; qualities instead of boundaries. The Dutch focused immediately on a more architectural concern: the division between private and public and the exchange between the two. Their advice: ‘in planning or analyzing don’t stop at the boundaries of public domain, look ten meters beyond the facade, beyond the border of private ownership to make full use of the urban quality of public space’.

After qualities and legal aspects, Heinrich Wolff introduced the power issue: who owns and controls and has access to public space? And this was not only about privately owned and controlled public space, but also about socio-political convention (exclusion of women in particular). That was all to our liking, but what about a reality check? Hein de Haan explained about the problems of mono-functional districts in the Netherlands (hence his critique on the use of CBD for the historic center) and how to counter degradation by introducing mixed programs in housing areas, office parks and city centers and Paul Meurs narrated about the problems in Brazil to deploy that strategy effectively (mixed use in former office towers). One of the students proposed that mixed programs as redevelopment strategy for empty offices might be a good idea, but zoning laws prevent this. Make creative use of the rules, De Haan responded, introduce typologies that count as ‘work’, but also include commerce and living, like artist studios. Mr. Anjumba added that the challenge is to convince developers and municipalities of what is common knowledge among architects and planners by now: that mixed-use and layering of programs is essential for urban quality and vitality. Paul Meurs explained another Dutch practice: develop specialized (sub)centers in addition to the historic down town that is specializing in tourism, high culture and top market shopping these days.
Interesting ideas if you have national and local authorities in proper control of planning and urban development, but the audience felt this was not reality in South Africa.

Heinrich Wolff

City Center = Safety and Density

More local sentiments came into play. For instance a preference for the ‘American dream’ typology of single family homes on a private plot of land, fenced off to protect these little islands as a safe-haven, which doesn’t produce a sense of center at all. In addition there was mention of a practice to move from one protected ‘bubble’ to another, regarding public space as the short cut between the two. The theme of fear shaping the environment and public space in particular was at the table. Heinrich Wolff opposed this image as only true for a small minority. The majority walks and goes about just as normal as anywhere in the world. And to counter a further loss of public quality one could think of introducing events like street soccer, to enhance ‘publicness’ and a feel of openness and accessibility.

Although this was regarded as both sympathetic and idealistic, the issue of the role of government was raised again. First Mr. Anjumba introduced an interesting ‘reading’ of Sunnyside district, that was described as lively, and with an extensive modern legacy. He stated that this wasn’t threatened the way the historic center of Pretoria is, because Sunnyside has been developed almost optimally. Tearing down and rebuilding won’t add much profit for developers, like it does in older areas. So here you can take your time to adjust and refine.
But who is to blame then, the audience asked, for the deterioration of the center, a diseased heart in a healthy body; developers won’t do the right thing, politicians don’t care it seems, are architects and planners the only people that have to take responsibility? Mr. Kruger tried to neutralize this potential explosive issue in referring to ‘the people’ and the Greek agora. But Mr. Wolff made it personal: the question came from a young person, still able to hold the older generation responsible, but even that young person will grow older and find herself responsible in the end. So why not start right away? Just do it. The architect as entrepreneur entered the scene, adding a VOLUME touch to the debate. ‘Are we talking about the same thing when discussing ‘public space’? New technologies revolutionize the very notion and if public space is shared experience, YouTube, email and internet are universal public spaces just the same. Mr. Meurs responded that the digital environment cannot replace the ‘authentic experience’ and that ticket sales for live concerts for instance prove that point. He wasn’t worried by the advent of new technologies.

Another example was the resurgence of Amsterdam’s historic center. 30 years ago it was in serious decline, the canal houses were almost exclusively occupied by offices, residents were leaving, small shops closing, historic buildings in bad shape. The city was passé, long live the suburb. But look, nowadays inner city apartments are the most expensive in the country. Authenticity as quality survives and wins in the end. And for the redevelopment of the famous Rotterdam Lijnbaan shopping center cum housing in the center the same argument counts: the developer is advised to start from heritage value, not ignore it, since that is the money maker in the long run. With this explicit mention of heritage as an important factor in publicness and public space a more political reading of the African city center was introduced at last.

Contribution from the audience

City Center = Identification

Because whose monuments are we talking about? There is no shared heritage yet, argued Wolff. The classic monuments represent white power, it is only now that monuments of other groups in society are being acknowledged, but there is a long way to go. And that opened the gate for ghetto, separation, cultural minority and what else as expressed in little Chinatown, little India and little Zululand. No problem, according to Anjumba, since identification is more important than the risk of compound-like separation. These ‘pockets’ add flavor and have a quality of their own. Stimulated by public intervention, Mr Kruger opposed that every city has groups and minorities, but public space is about collective use. That should be open to everyone and not ‘owned’ by just one group. And there the argumentation came full circle, because if public space matters, what exactly is its quality and character in the African city center?

And though this Debate on Tour didn’t produce a clear cut conclusion, it did make clear that despite its modern looks and globalized character, the South African city has a serious identity issue to solve. South Africa may be a state since 1910 and independent since 1961, it is in fact a very young nation. Since its political transformation in 1990-94, it had to reinvent itself. Cultural notions like ‘center’ and ‘heritage’ have to re-find their meaning in a new reality. That talking about these subjects proved difficult enough is telling for the challenges to confront.

 ’A precondition for starting a significant architectural intervention is to define a project in consultation with those parties involved in its implementation (the government, the local municipality, private investors, developers, construction companies, planners, designers and architects).’ This preamble to a recent international conference on ‘architectural interventions and transformations’ is typical for an ‘all-inclusive’ way of thinking about processes these days. Plans and policies are no longer defined and implemented by a few specialists;they are developed with all stakeholders (another popular contemporary notion). All parties? The user/consumer/resident, usually the subject and victim of intervention, is conspicuously missing from this description.
When the post-war, large-scale,top-down planning machinery began to increasingly malfunction in various political systems, ‘the market’ was allowed to resolve it.From a certain level of prosperity, it is assumed that demand leads to supply.Everyone ensures they have enough of what they need and politics need only concern itself with protecting the weak, security and (international) competition.Society need not and can no longer be made. Indeed, citizens determine for themselves what they want.This has considerable consequences for the role and position of the architect.Aldo van Eyck once described the role of the architect as helping to provide someone with a roof. (He added, ‘which is no easy task.’) The practice had been for architects to simply propose what users might want. Yet Van Eyck’s description is increasingly becoming the norm.The growing portion of individual clients in home construction is giving rise to a direct relationship between designer and user which until recently, at least in the Netherlands, was largely lacking. In addition, here and there in Europe and the U.S. a radical form of citizen influence is being experimented with on a small scale whereby budgets for urban development are determined by neighbor hoods, districts or villagers themselves.The (municipal) government merely facilitates what is decided locally.
This means that the architect is unexpectedly called upon to be capable of presenting futures, a faculty which he had largely appeared to have lost in our consumer society of commodity logic.A neighborhood is perfectly capable of choosing between a day care center and a café as an addition to a service packet, but for the restructuring of a factory complex or obsolete housing some help is indispensable.
These are issues which are completely marginal on a worldwide scale.A substantial part of the planet’s population continues to provide for their own housing and everyday environment; the other part is almost entirely provided housing.The annual Chinese production of cities does not take this kind of subtle arrangement into consideration. However, marginal isn’t the same as meaningless.The search for new balances between governments and their populations in determining what can and must be yields future models which are needed badly.This is true not only in planning paradises such as the Netherlands and western Europe.Permitting local populations in post-conflict areas input into redevelopment is likely to contribute to avoiding future conflicts.And in those areas where the authorities now dominate, increasing prosperity along with the increasing political independence and individual responsibility of the citizenry to see to their own needs and desires will compel the creation of different relationships. Hardcore social engineering may have fallen from grace (as a term, for as a practice it is still on the table), the market does not solve every problem.An additional challenge is to make that long-lasting, but that’s a subject for another time.

[This is the editorial to Volume 16 - Engineering Society]