Connection is a popular motif in design: all types of infrastructure – bridges, pathways, transportation, service systems and applications – wish to tie into the urban fabric to make things productive. However, there is also an opposite tendency: the act of disconnection. Amelia Borg and Timothy Moore ponder how one can physically remove themselves from the communication of things.
For the tenth anniversary of Volume, Timothy Moore, director of architecture practice SIBLING and former managing editor at Volume, remembers an early issue of Volume dedicated to power where image came to the fore. (F*ck context.) Timothy dropped by the Archis office to deliver the article in person while in Amsterdam to research his PhD on ‘The Instruments of Transitional Architecture’.
If there is a moment to test a community’s resilience, it is after disaster has struck. Such situations often show a community pulling together in a shared feeling that ‘things’ have to be done, but also ambition to be involved and participate on an individual level. Christchurch, New Zealand was no exception when the city was ruined by a series of earthquakes. Yet, it may have come as a surprise for most to see how many people felt engaged and how many (temporary) projects were being proposed and executed. Maybe less surprising was the tendency among existing structures and powers to just carry on. The self-building city was welcomed at first, or maybe just tolerated by the powers that be, provided it wasn’t in the way of business as usual. So, how fundamental a change did we actually see?
The transformation of Melbourne has been dramatic. In the space of thirty years its dull city core metamorphosed into a lively center through a unique set of circumstances, including strong urban planning policies and the liberalization of liquor laws. Timothy Moore speaks with architect and urban designer Craig Allchin about the city’s recent history and how the confluence of law, planning, and activism provided a matrix with which to model urbanism.