One of architecture’s histories is that of the art of display: architecture displaying power, political ambition, economic success, social agendas, or less mundane notions like dreams, convictions and belief. These days architecture has also become subjected to display: the display of architecture — in museums and collections, and in auctions for example. That adds but also distracts meaning; not every aspect of architecture can be displayed as easy. And what does a culture of display (be seen or perish) add to this condition?
There’s only two days left to visit the ARCHIZINES exhibition at its final destination, Moscow.
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There is a theory that the more organized (read: developed) a society is, the less self-sufficient it becomes. All sorts of services and amenities, from housing to energy, from culture to justice, are centrally organized and distributed. But is that necessarily so? Or are we heading for a new order in which decentralized and self-reliant become the norm?
War and conflict are of all ages. To confront this reality, peace missions, rebuilding operations and international law have been developed as tools to help create stability and peace after conflict. This is very impressive indeed, but the road to sustainable peace is arduous and troublesome. Furthermore, rebuilding and urban planning strategies can rekindle old conflicts. The exhibition The Good Cause not only gives insight into the complexities of dealing with post-conflict situations. Through inspiring case studies from Afghanistan, Kosovo, South Africa, Rwanda, Israel and Palestine, it also shows what reconstruction could look like if it were designed with an eye for local structures.
Come along on Monday 16 March at Pakhuis de Zwijger in Amsterdam for the second edition of Archis Speaks Volumes.
Bureau Europa presents the third iteration of an exhibition of the work of architect Cedric Price and the first public appearance of some of his selected projects in the Netherlands. As a satellite component tot he exhibition, a special Cedric Price insert magazine is created in collaboration with Volume. Volume readers will find the insert in the back of Volume #42.