Arjen Oosterman is Editor-in-Chief of Volume.
From its inception at the dawn of the millennium (2001), Archiprix International has proved to be an adventure with enormous ambition. To collect, once every two years, the very best graduation projects from architecture, landscape architecture, and urban design schools around the world is no small feat. To comprehensively exhibit this material is also a challenge, and to create a meaningful and productive event around the award session—giving center stage to the selected graduates and their projects—is a task akin to walking a tightrope. And yet, this is what they are achieving.
Once every two years architecture schools around the world are invited to submit their single, finest graduation project to the Archiprix International competition and exhibition. Since its inception in 2001 (born out of the Dutch Archiprix), an ever increasing number of schools choose to participate. This year, Archiprix International selected Ahmedabad, in India, to exhibit the results. Volume spoke to Archiprix Director and “Mister Archiprix” Henk van der Veen.
With Are We Human – the exhibition of the 2016 Istanbul Design Biennial – curators Beatriz Colomina and Mark Wigley are researching the very notion of ‘design’. Their historic, cultural and conceptual exploration attempts to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This is pushing the notion of design and the biennale as a format beyond their established definitions. Beatriz Colomina and Mark Wigley interviewed by Arjen Oosterman.
Irma Boom Interviewed by Arjen Oosterman for and published in the Chinese magazine Manifesto no. 21, published by Shanghai based The Design Republic.
Moving forward implies looking back. When we started this research engine called VOLUME in 2005, economic, political, and social conditions were very different to how they are today. The intention to rethink the agency of ‘beyond’ as driver for change inevitably means historicizing the trajectory of the VOLUME project so far. That said, we really didn’t want to turn VOLUME itself into the subject of reflection. So we’ll instead talk about the present and, in so doing, find history creeping its way in whether we like it or not.
Architectural practice requires a degree of intimacy and insight into complex sets of forces. While building is architecture’s bread and butter, it’s not always the best format to make a statement. It’s sometimes not even the most appropriate language to respond to a brief. Volume spoke with Reinier de Graaf of OMA/AMO about how research and media can become a vessel for political agendas.
It’s not the latest Hollywood production, the ultimate sound experience, or Apple’s next level consumer lock-in product line. And despite its ominous ring, it isn’t the enemy either, like how the NSA is framed as one. THE SYSTEM* indicates the complex interaction of the economy, professional practice and personal choice. The asterisk draws attention to the ambiguity of such a term while hinting at an intention to change ‘it’, whatever it is.
It’s still one of the world’s major concerns: shelter. Last year saw a sad record in the number of people seeking shelter: fleeing violence or hopeless poverty, looking for safety, stability and perspective. This year won’t be any better. And despite its complexities, public and political discussion reduced it to the all too simple question who will be sheltered, where, and who will provide for this.
In 2000, the so-called ‘Millennium Development Goals’ were adopted by the UN, one of which was primary education for all. This was in the wake of the post-historical years that followed the fall of the Berlin Wall, in which a ‘Yes, we can!’ mentality was present (long before we had even heard of America’s first black president). Poverty, famine, malaria, and more – all problems that we can and should solve as global community; that was the spirit. In light of the program, this year’s results have been evaluated. Some goals prove to be tough, but education scores rather well. Not yet 100%, but if we can believe UN statistics, today 93% of all children between 6 and 12 receive primary school education.
One of the more recent phenomena in a city’s public space is the ‘wrap’. Passing through the city, all of a sudden a familiar face is hidden from view, covered by a mesh of steel tubes and fine-grained nets. This all has to do with scaffoldings’ safety regulations, erected for a building façade’s maintenance. The nets hung around the temporary structure hide the building from view, making one wonder what it’ll look like when the job is done.