Arjen Oosterman is Editor-in-Chief of Volume.
Brendan Cormier is Managing Editor at Volume.
Let’s talk about law and faith. The law requires a certain faith – faith that it will perform in our collective best interest. Last year in particular, it was easy to lose that faith. Several high-profile cases brought to light incongruities in our judicial systems that unduly exonerated some, while persecuting others. Take the case of Wall Street. Following the 2008 crash, the US government put together its best legal team to root out what went wrong and who were the culprits. In a case where rapacious greed and gross misconduct were clearly at play, the government failed to prosecute a single major banker. Or look to the cold-blooded murder of Trayvon Martin by neighborhood vigilante George Zimmerman. Using Florida’s ‘Stand Your Ground’ law, lawyers were able to justify the racially-charged murder of a defenseless boy. Then there’s Guantanamo Bay, a prison run by the ‘most democratic nation’ in the world, still holding people stripped of their rights. All of this is technically legal.
Last December, Volume’s editorial team spent three weeks in Shenzhen for the occasion of the Shenzhen Bi-City Biennale of Urbanism and Architecture. The outcome of our stay in China will be a Shenzhen-themed issue that will be launched soon. To get you in the mood we’ve prepared this little photo report.
Design magazine Frame dedicates its November issue to student work from design schools all over the world. As introduction to this dossier Frame organized a discussion between Design Academy Eindhoven Director Thomas Widdershoven, Leiden University Professor Design and Theory Timo de Rijk and Volume’s editor-in-chief Arjen Oosterman. Frame also asked each for three private picks plus short comment.
‘Ivory towers’ and ‘paper architecture’ are common put-downs used to question the agency of critical and speculative thought. After the theoretical hangover of a Deleuze et al architectural education, many young critical thinkers turned to practice as a means to put their thoughts into action. We sat down with Markus Miessen, who has spent the past several years researching critical and spatial practice, to see what this means for the field of criticism.
Volume likes to think of itself as a critical magazine. Not in that it reviews and criticizes production, but in that it has a critical relation with architecture as practice and as notion. No problem up to now. Different worlds, different attitudes, the twain shall never meet, and they lived apart happily ever after…
It is rare that people spend a whole day discussing their own happiness, but in Houten they did. Houten? Yes, Houten, a town of 50,000 inhabitants in the center of the Netherlands – a suburb of the city of Utrecht really, but a very successful one. During the seventies this agricultural village was planned to receive a serious portion of the additional housing needed at the time in the Netherlands and during the nineties another national housing expansion program transformed it into the town it is today. The most remarkable thing about Houten is that we don’t hear about it. It never hits the news with riots, political scandals, alarming unemployment figures, vacant office buildings, or cultural clashes. It is a quiet town.
We’ve seen art works changing hard objects into soft ones (soft washing basin, Claes Oldenburg) or personal and vulnerable objects into suffocating environments (teddy bear, Mike Kelley), but this is the first time as far as we know that household technology is being applied to personalize and pimp a car…
The Dutch Rathenau Instituut started in 1986 as a technology assessment center to advise Dutch Parliament. It has since developed into a broader think tank studying the organization and development of science systems, while regularly publishing and stimulating debate about the social impact of new technologies. Volume talks to the Institute’s Rinie van Est and Virgil Rerimassie to hear about the main trends in synthetic biology and related disciplines. They paint a picture of the world where biology and technology have converged, and where our fundamental way of working through scientific problems has shifted.
In architecture a rat race is going on. Not another record-breaking tower – that wouldn’t be new(s). The race is about the application of a fairly new technology in the building industry. What at first seemed a cute and somewhat clumsy machine to produce architectural models and small objects, is now being tested to ‘go live’. I’m talking 3D printing of course and the ambition of at least two architecture offices, in Holland alone, to be the first to print a full-scale building. One is pursuing a pavilion, the other an Amsterdam canal house, complete with gabled roof.
It took awhile before Western design firms could believe that the building and design market in Asia was serious business, and also to come to grips with the ambition, scale and speed of development. By now they understand and are trying to pick some cherries from that trillion dollar tree; the more so now their home markets are slowing down or worse. ‘Going East Asia’ these days is not ´only´ about delivering housing quarters, railway stations, airports, fiber networks, waste water treatment plants and what not; it extends to the delivery of complete cities. It’s already been a long time that the West has been confronting the ‘building a new town’ theme, but today it is a business opportunity.