Guus Beumer scrutinizes Justin Timberlake’s Super Bowl Halftime Show and detects a new role for the audience, with far-reaching consequences for design disciplines.
Most people focus on object and form. Not Keller Easterling. She’s drawn to the in-between. Challenging the binaries of formal-informal, practical-impractical, like-dislike, right-wrong, Easterling points at extemporaneous design thinking that works with potentials and indeterminate forms. In this frame, space is an informational system where discrepancies between what an organization is saying and is actually doing open new territories for design to intervene.
Nowadays, it seems to be everywhere – the urban environment that feels smooth, polished and perfect. All buildings seem either new or renovated, and are generally in an excellent condition. Its public spaces are well-designed, well-maintained, clean and safe, if you conform to the rules. All spaces seem to be scripted according to the dominant norms and the needs of capital, and are populated by a socially, culturally and aesthetically homogenous crowd. New technologies offer seamless, on-demand services for almost everything.
Can I invite you to participate in a conversation on what’s not a concept or a clear idea, but a hunch at best? The subject is the relation between formal and informal and how this may be changing due to the introduction of new technologies and the way these are used. The bricolage of fragments this speculation is constructed of looks as follows
In occasion of Volume #52 ‘The End of Informality’, Degl’Innocenti goes back to his MA years, when the students had the widespread ambition to intervene on informality, but the process to achieve that was less straightforward than envisioned beforehand.
Informality can be interpreted as a positive quality hinting at individual freedom or even be romanticized as bottom up and empowering force. But informality as safety valve for a system that is not able to adjust to changing conditions smoothly and quickly enough is another matter.
‘Reinventing the fringe’ is a critical reconsideration of post-war urban areas on the fringe of nine European cities, viewed from the perspectives of sustainability, social cohesiveness, mobility and land use.
In this review, Yushi Uehara describes the Volume Studies project by LOG/OUT magazine, reflecting upon what Volume means for the Japanese architectural scene and more in general trying to map the influence of the ‘superdutch’ experience in Japanese architecture at large.
Jaap Bakema and the Open Society is the first extensive book publication on the Dutch architect Jaap Bakema, his ideas and ideals for society at large. Throughout the post-WWII decades Bakema was inspired to build for a democratic and open society. His body of work, his teaching and writing, and his international presence are testimony to the vicissitudes of the welfare state and the roles played by architecture and planning in its construction.
Books People Places and Archis/Volume invite you to join the conversation during the launch event of V51 Augmented Technology on January 30th at Theater O-TonArt in Berlin.