There once was a time when work and leisure were separate realms: you worked or you played. These days, playing is work and work demands playing. Who’s fooling who, may we ask?
Our next issue #56 Playbor will be released soon. In the meantime, we publish a series of texts exploring the data produced by international surveys on people’s work related feelings. This article focuses on burnout.
In the build up to our next issue, #56 Playbor, we’ll publish a series of texts exploring the data produced by international surveys on people’s work related feelings: happiness, boredom, burn-out, and more. This week it’s happiness’s turn.
In the build up to our next issue, #56 Playbor, we’ll publish a series of texts exploring not only the data produced by these international surveys, but too the conditions and criteria that defined their questions in the first instance. The task is to explore and deconstruct the terminology, methodologies, and perimeters of these polls and surveys whose goal it is to quantify the qualitative, to measure the ephemeral.
In the Archizoom gallery of the EPFL, Lausanne, this fall ‘Faraway So Close’ is on show, presenting the work of Kashef Chowdhury. Christophe Catsaros sat with its curator, Niklaus Graber to discuss the relevance of this work and subject.
In the Western imagination, Bangladesh is more likely to conjure up images of human and environmental disasters than of quality tropical architecture. Two years ago, the Rohingya exodus was just another in a long list of catastrophes that had punctuated the history of a country with a population greater than that of Russia and a land area barely larger than that of Greece.
Curated by Itinerant Office, the book ‘ATLAS of emerging practices: being an architect in the 21st century’ has just been launched at the New Generations Festival in Rome. Volume editor Francesco Degl’Innocenti sat down with Itinerant Office founder Gianpiero Venturini, to discuss the findings of their research on the European context, and break a few misconceptions about the profession.
How do we live forever? Cultural memory is something which binds individuals together across time and space, creating the sense that although mortal, there is a greater continuity persisting both in the pre-life and after-life.
The establishment of the Convention for the Safeguarding of the Intangible Cultural Heritage (ICH) in 2003 marked a profound shift in the custodial objectives of UNESCO as an organisation and the mechanisms it utilises preserve global culture. Since the introduction of the Convention Concerning the Protection of the World Cultural and Natural Heritage (WCH) in 1972, Unesco policy had, to that point, been driven and dominated by a single, concise, and ultimately incomplete mandate; namely, the evaluation and preservation of material structures.